Documentary exhibition on the occasion of the 450th anniversary of the death of the great Florentine artist. The exhibition Michelangelo. Incontrare un artista universale, covering the life and work of this colossus for all times, is to be held at the Musei Capitolini on the occasion of the 450th anniversary of the death of Michelangelo Buonarroti in Rome on 18 February 1564. In the heart of the city, in that very Piazza del Campidoglio which the genius of Michelangelo made unique in the world, over one hundred and fifty works ... read more »
Apparently, Nicholas Serota, director of the Tate Modern, was not prepared to let the name of Donald Judd (1928-1994) silently fade from our memories - did he not do his utmost to make the man famous in the first place? Ten years after his death - sixteen years after the last substantial exhibition - he presents a big retrospective of the work of the artist who has 'changed the course of modern sculpture''. The exhibition travels to Düsseldorf (19/06 to 05/09/04) and Basel (02/10 to 09/01/05). Heavy artillery ... read more »
Digital art is an extraordinarily exciting new medium that closely resembles the digital revolution in music and the way music is created, recorded and archived-so much so in fact that I could not resist applying some of the techniques that I use in composing electronic music to my digital paintings. Instant gratification is nice, and I experienced much of it at first, but as anyone will tell you who has used professional graphics programs like Illustrator or Photoshop and tried to create faithful and ... read more »
Founded in 1984 by a fine artist, Agora Gallery is a contemporary art gallery dedicated to the promotion of national and international artists seeking exposure to the New York art market. Agora Gallery connects artists with professionals, art collectors, and other artists to create an ever growing family dedicated to the world of fine art. Collectors are provided with a broad range of original artworks through our fine art sales website www.ARTmine.com our biannual art magazine ARTisSpectrum.com, and the ... read more »
American artist Shannon Taggart (born 1975) became aware of Spiritualism as a teenager, when her cousin received a message from a medium that revealed details about her grandfather's death. In 2001, while working as a photographer, she began taking pictures where that message was received—Lily Dale, New York, home to the world's largest Spiritualist community—proceeding to other such communities as England’s Arthur Findlay College. Taggart expected to spend one summer figuring out the tricks of the Spiritualist trade. Instead, Spiritualism’s mysterious processes, earnest practitioners, and neglected photographic history became an inspiration. Her project evolved into an eighteen-year journey that has taken her around the world in search of ‘ectoplasm’—the elusive substance that is said to be both spiritual and material.
With SÉANCE, Taggart offers haunting images exploring Spiritualist practices in the US, England and Europe: 150 of her original photographs, many of which have never been published, as well as rare historical photographs. Supported with a commentary on her experiences, a foreword by Dan Aykroyd, creator of Ghostbusters (1984) and fourth-generation Spiritualist, and illustrated essays from curator Andreas Fischer and artist Tony Oursler, SÉANCE examines Spiritualism’s relationship with human celebrity, its connections to art, science, and technology, and its intrinsic bond with the medium of photography. The book concludes with the debate over ectoplasm and how Spiritualism can move forward in the twenty-first century. read more »
submission date: 3/29/2020
Grandi artisti di diverse epoche hanno desiderato immortalare il momento di
un bacio, l’atto più grande del primo contatto di due innamorati, il
momento più dolce di un rapporto, lo scambio alchemico di un desiderio cosi
potente da creare una esplosione di vibrazioni che cancella in un solo
istante ogni altro pensiero. Una tempesta di sistemi nervosi, ormoni, che
non hanno freni ma che desiderano solo perdersi in un amore infinito, dolce
Il bacio di Tony Nicotra come il bacio di Francesco Hayez, Gustav Klimt,
Amore e Psiche di Antonio Canova, ha una visione quantistica, completamente
nuova, più scientifica ma anche molto romantica e tanto delicata .
Nicotra arresta il momento del bacio, un attimo prima dell'atto in se, un
attimo eterno che rimarrà tale, dove vi è il massimo del desiderio, non un
bacio mancato ma un bacio pieno di ogni energia pronto ad esplodere nei due
L’opera di Nicotra deframmenta con la sua tecnica quantistica ogni atto
figurativo della materia come abiti, caratteri somatici, eliminando l’abito
carnale della materia estetica e rappresentando in maniera magistrale ed
emozionante la pura Energia, le vibrazioni dei sistemi nervosi, di quella
energia che solo due grandi amanti possono percepire.
Due amanti che si uniscono in un solo corpo vibrante dove il braccio
dell’uomo avvolge con protezione ed infinta dolcezza la tanto amata. Questa
straordinaria immagine della donna totalmente saldata al cuore del suo
amato in un unico impulso cardiaco, dove il suo volto innamorato piegato
verso il volto del suo uomo, cerca il bacio dell'anima.
Lei legata da intrecci e impulsi nervosi al suo amatissimo uomo, si unisce
profondamente in un solo organismo.
Tony Nicotra is an Italian Artist that was born in Caracas Venezuela on 17 August 1971. I have always exhibited an insatiable curiosity for the world that surrounds me, and have passionately tried to express my inquisitiveness through drawing and painting. As a young man after finishing my Fine Arts studies, (where by my talents were developed and refined), and with increasing recognition of my artistic skills, I was appropriated into the discipline of restorative art where I worked prodigiously for many years. During this period I won critical acclaim amongst my peers, for successfully restoring numerous important and prestigious Italian works of art and monuments including, The Arena of Verona, The Cathedral of Catania, The Royal Palace of Venaria in Turin as well as the Italian Embassy in Berlin, to name but a few.
Yet despite all these accomplishments, and still driven by my insatiable and ardent desire to fathom the truth and raison d’être of the existence of life, of humanity, and its relationship with its delicate environs, I elected to temporarily suspend my career, to commence a long period of introspective soul searching. I devoted myself exclusively to the search of inner wisdom through the pursuit of knowledge, with a view of liberating the soul within. During this endeavour, I became an avid scholar of various metaphysical and spiritual disciplines, and, despite severe financial constraints and hardships, found myself compelled to pursue a personal and arduous pilgrimage, by walking The Route of Santiago di Compostela, better known as the pilgrimage of St James Path, ending in Santiago Spain.
During this journey I became inspired to study the field of Quantum Physics, and coupled with the knowledge previously gained, I finally found the answers to my deepest questions. Renewed by this personal experience, my quest is to now share my new found understanding and wisdom, through the communicative medium of artistic works, literary prose, and poetry. To this end, I have currently devoted my artistic ability, to the pursuit of rendering tangible and visible, the enigmatic invisible energy fields that constitute the universe and life within it. My aim is to awaken in all humanity, the awareness and wonder, of the interrelatedness of all that exists, through the interactive dance of fundamental energy forms that constitute both living and non living things. This knowledge is rarely acknowledged, nor experienced by the uninitiated majority. Thus, my mission as an artist, is to utilize my personal wisdom, my faith and my new found perception of self as a singular, liberated and enlightened being, to demonstrate the existence of life as a divine source of permeating energy, constantly pulsating through dynamic and cyclic interactions. read more »
submission date: 03/03/2020
Encinitas, CA – Artists Nicholas Kahn & Richard Selesnick are a collaborative team of artists based in New York who explore contemporary global issues through the creation of fictional worlds. The artists give us a glimpse into a time where the social and environmental issues that plague society continue to go unaddressed. The artists’ timelines shift between the past and present, playing with optimism and pessimism while filling their work with humor, satire, and morbidity. Transcending time and place, their made-up mythologies and anthropologies serve as cautionary tales.
“Having worked with allegorical stories surrounding the environment for over 20 years, the work of Kahn & Selesnick is essential to envisioning a better future for the world. We are excited to have them at Lux and look forward to their engagement with the local community.” says Andrew Utt, Lux Art Institute’s Executive Director.
The dualities found in Kahn & Selesnick’s work are represented in their ongoing series entitled Truppe Fledermaus & the Carnival at the End of the World. Here, the artists explore issues we face as a global society, wrapped up in the subtle guise of a fabricated world in which a carnival troupe traverses a landscape consumed by the effects of climate change. Their artwork gives us a peek into fictional worlds, similar and parallel to ours, through objects, documented rituals, and ceremonies from the paracosm their characters inhabit.
“We are looking forward to coming to Lux and expanding our Truppe Fledermaus project by working with terracotta sculptures, green man costumes, and musical interludes,” shares both Kahn and Selesnick.
Kahn & Selesnick utilize meticulously handcrafted costumes and props, desolate landscapes both foreign and familiar, sweeping views, and theatrical stages as a backdrop for their photographs. Utilizing everyday materials in non-conventional ways, the artists elevate the absurd.
Lux would like to thank the San Diego Foundation for their generous contribution to this exhibition. Visit Lux to find out more about how Kahn & Selesnick bring these worlds to life.
Kahn & Selesnick. Nicholas Kahn, born in New York City, and Richard Selesnick, born in London, UK, have collaboratively created extensive mythologies since the 1980’s. Working with photography and installation, their stories are a combination of past, present, and future, mixed with fantasy and anthropology. Using materials, elaborate costumes, and narratives that are pushed to the absurd, Kahn & Selesnick’s anthropologies are a mix of utopian and dystopian lore. Kahn & Selesnick both received BFA’s from Washington University, where they started working together and are currently based out of New York state. They have shown at the Brooklyn Museum of Art; the Philadelphia Museum of Art; The Houston Museum of Art; the Los Angeles County Museum of Art; and the Smithsonian Institution.
Lux Art Institute is redefining the museum experience with the region’s only artist-in-residence program that invites artists to live and work on site while producing a commissioned work of art. Lux is committed to making art more accessible and to inspire creative thinking. At Lux, visitors don’t just see finished works of art, they see the artistic process firsthand by observing internationally recognized artists in a working studio environment.
submission date: 3/4/2020
It Rises All Nectar is the new collaborative project of the Argentinian musician and producer Cristian Estrella. His first single "In Astral Reticles" is officially out now, released by Asteroidea Digital Records.
This instrumental piece was born from a piano improvisation during the artistic residency in Batovce, Slovakia. The process of creation brought charango, synthesizers and with added electronics changed the mood into electro-acoustic-glitch sound.
For Cristian "... is a channel to resize everyday problems, by observing us as a small particle in this cosmos. We are in a vast cosmic arena, as Carl Sagan mentioned in the sample.”
Cristian compose music for theater and is also stable member on keyboards, electronics and visuals in the band of Ivana Mer (Slovak singer and composer). Besides performs folktronic DJ sets under the name Mira Tus Manos. This is the first step in the way to the whole album, that will be released by the end of the year. It will contain the playlist that dive into several styles, with guests from various countries.
Gustavo Jacob the mexican musician (Luz de Ríada, Los Jaigüey, Ádada, The Room Trío, Los Importantes de la Noche) is the guest artist on the track. Recorded various guitar layers for this song about micro and macro cosmos. Cristian and Gustavo met in Buenos Aires on september 2014 during a tour of Luz de Riada. read more »
submission date: 2/3/2020
For the first time in the UK, Le Dame Art Gallery present Italian artist Domenico Pasqua with “Indian Impressions”, a journey to India’s holy places, where different themes and expressive techniques that, although starting from the same idea, are shaped by the artist’s intimate inspiration.
Domenico Pasqua combines reality and imagination, figurative and abstract elements, photography and paintings. His works are compositions of thoughts, visions of seen and imagined things; games of colors that evaporate just like wishes, leaving only clues for us to build other thoughts and images.
Places and people are combined in architectural patterns, which are both linear and rich in elements, at the same time. Although statically photographed and painted, nature draws symphonies of movements, games of lines and colors, both matching and contrasting, like mosaics or kaleidoscopes giving off a sense of beauty and harmony.
Pasqua’s complex pictorial effort allows us to contemplate artworks of great aesthetic beauty, which are not only executed with great technical skills but also enriched with a deep poetic sensitivity.
Domenico Pasqua is an Italian and Belgian citizen who studied architecture at the University of Rome 'La Sapienza', where he graduated cum laude in 1985. He worked as architect mainly for Residential projects, and since 1990, he also worked as photographer for a studio in New York specialising in works on commissioned for International museums. As an artist, he had his first group show at the age of 18, in Florence. Since then, he has always been pursuing his artistic research.
In 2019 he participated in the 'Artrooms Awards', International Art Competition, winning the first prize with the work 'The Children of Mont Abu'. He currently lives between Rome and Antwerpen where he opened a new studio in 2015.
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6 Feb – 6 May 2020
Baglioni Gallery, Baglioni Hotel
60 Hyde Park Gate, Kensington London SW7 5BB United Kingdom
submission date: 01/28/2020
Pierattelli Architetture presents a project for the new stadium of Fiorentina Football Club, together with a
Masterplan able to upgrade the urban scenario of the city and offer new spaces and infrastructures.
Florence | The stadium of Fiorentina Football Club based in Florence (Italy) is a building of historical and artistic interest, built between 1930 and 1932. The Club belongs now to a new chairman, Rocco Commisso, an American-Italian businessman, which has put the need of a modern sport infrastructure as one of the strategic pillars of the club. In the public debate of the future of the old stadium, comes the proposal of the Florentine Studio Pierattelli Architetture, which has designed a project for the new Fiorentina football ground with a hallmark organic form and a metal mesh cover in the club’s colours – purple, white and red. The project takes the form of a Masterplan covering the redevelopment of an expansion area in the north-west of the city, Novoli’s district, and it would become a sign of renewal, growth and urban expansion. The project for the new stadium thus becomes an opportunity to upgrade the urban scenario of one of the most vital areas of the city. It redefines the relationship between architecture and context, resolving other critical issues weighing on the area through the arrival of the stadium. In fact, this also provides the opportunity to renovate the road network which is noteworthy today for its major infrastructural failings, redressing the balance and creating a new one with the Mercafir (the Florence fruit and vegetable market). The construction of artificial hills completes the project of creating a living, usable architecture with services always open to citizens. With its hallmark organic form, the particular conformation of the stadium, higher on one side than on the other, brings to mind a "Stone". A metal mesh in the club’s colours, purple, white and red, covers the outer structure. 16 entrances, 4 of them with turnstiles, with lifts and panoramic stairways, give access to 3 rings of grandstands, as well as to the shopping mall and catering area which are always open to the public. “The new stadium project certainly provides a unique opportunity for Florence”, says architect Massimo Pierattelli, “for rethinking the relationship between the building, its functions and the city, adding new meaning to the structure and creating added value for citizens, as well as for fans”. The new stadium designed by Pierattelli Architetture is therefore not only grafted on to the existing urban fabric, but becomes part of a new vision of the city, able to combine different functions and leaving areas that are active all year round as a legacy. A holistic vision of the relationship between architecture, urban planning and social life, able to optimise the relationship between city life and sport. read more »
submission date: 12/2/2019
Patrizia Di Poce, was born in Rome, where she lives and works.
Her artistic course manifests during the years with a creativity in continue evolution, she moves with enthusiasm from painting to ceramics, choosing even common rocks or logs smoothed by sea or river waters as materials for her creations, all different techniques that nurture and develop the sensibility of her artistic expression to finally arrive to marble sculpture.
During the 2006, driven by her quest for an intimate and profound realization, she arrives to Pietrasanta(Lucca) in the heart of Apuan Alps, where she stays on alternate periods in order to realize her creations.
Her marble sculptures are splinters of matter transformed in language.
“ I choose that block of different dimensions (big, medium or small), by instinct, or maybe it chooses me. From this magical encounter, the rhythm of an ancestral dance is born that later manifests with my creations. Like this, that piece become “my piece” because I own its Essence and it reflects my free soul. Presently, to sculpt the marble my way, marble that I feel as a matter of great energy, is simply the realization of a natural talent that I had as a gift. I know I have arrived to the center of my creativity and I feel great. My creations are visible translation of what I feel intimately, a profound perception to which I remain connected and which accompanies me beaming towards the future, with consciousness of a mature woman and joy and enthusiasm of a curious little girl.” read more »
submission date: 11/21/2019
Nov. 1st 2019 @Douglas Dunn Studio NYC.
"CONTEXT-ERE (In the frame of AMINA)".
Sardinia - New York - Sardinia 2019-2020.
curated by Fabio Acca.
AMINA>ANIMA (Soul) is a project created by 369gradi and directed by Valeria Orani to achive a contemporary prospective through the ancestral roots of Sardinia’s cultural identity and developed by the funds of European Union PO FESR 2014-2020 – RAS - Regione Autonoma della Sardegna. (view more at www.aminaproject.org )
"CONTEXT-ERE (In the frame of AMINA)" is part of Alessandro Carboni’s larger project "Context".
the research that the artist intends to develop within AMINA>ANIMA (Soul), draws from these assumptions and aims to activate a reflection on the idea of weaving and loom as a model of the cosmic mind, and on its relations with the visual arts, cartographic processes and the stage.
During the Open Studio Alessandro Carboni will show his work and will talk about how he is studying and relating the patterns and modular structures developed in the Sardinian textile production with geometric volumes and primary elementary units of American minimalism. As "topos" Alessandro Carboni choose the traditional design developed in the town of Nule in Sardinia, the "Nule's flame" given by the rhomboid shape of the drawing, which resembles precisely a flame.
Alessandro Carboni is a visual artist, performer and researcher, whose artistic and conceptual production revolves around the complex web of correlations and permutations that occur between space and its constituent elements (people, places, relationships, meanings), starting from the concept of cartography, intended as a "scaled-down/reduced representation of the earth's surface and the phenomena that take place and evolve on it". In this sense, in his performative and installation projects, the artist uses the stage as an actual projection screen from which arise reflections and criticalities related to the contemporary world. (more at https://www.alessandro-carboni.com/ )
submission date: 10/29/2019
On the occasion of the launch of the Enel project to digitalise the Vila Olimpia neighbourhood in São Paulo, Brazil,
Piuarch illustrates, in a public initiative, the concept that gives life to inclusive, participatory spaces.
São Paulo (Brazil), October 2019 - New places for meeting and participation that promote the construction of urban social networks: Piuarch's Espaço project is presented in São Paulo in conjunction with Enel's launch of the programme for the digital transformation of the city's financial and high-tech heart. The occasion is provided by the initiatives being activated by Enel Distribuição São Paulo to initiate the digitisation of the Brazilian network, starting with the Vila Olimpia neighbourhood of São Paulo, where Enel will create a digital, smart and sustainable infrastructure, to make energy distribution more efficient. A project in which innovation, sustainability and circularity are key values in the growth of megalopolises: a growth not only digital, but also social, able to redesign the urban scenario in the name of an inclusive and circular development of the area.
As the technological network is built up on avant-garde infrastructure, the social network develops, also, through public space. Piuarch's Espaço project was presented in the context of the Enel event as best practice for circular urban spaces: an installation that rethinks and redefines the city, and which represents the meeting point between social and environmental sustainability. Espaço grows out of a modular element in recycled plastic that, like a puzzle, can be combined in infinite configurations, customised to specific needs and place. The basic three-dimensional volume can be extruded at different heights to create walk-on surfaces, seats, tables, signage totems, urban vegetable gardens... The results are coloured spaces of aggregation that invite the community to live residual, urban spaces in participatory fashion.
Espaço was born with a strong urban and cultural identity, based on the study and interpretation of local historical, social and artistic factors. The form of the volumes recalls Mirthes dos Santos Pinto’s graphic design for the pavements of the city: geometric, repeatable and characteristic, it is a true São Paulo icon. The concrete art of Helio Oiticica and Alfredo Volpi’s study contributed to the inspiration and definition of the geometries and colours. Versatile and modular, Espaço was designed by Piuarch (together with Duda Mitidiero and with the contribution of Cornelius Gavril for the Landscape Design part) with the aim of stimulating grassroots urban regeneration and community growth.
A project whose social and educational value can be replicated in different parts of the city, creating a widespread system tailored to local needs. This is the social equivalent of the smart grids that Enel is planning to install in Brazil: smart electricity grids that allow energy to be rationalised and distributed efficiently, reducing waste of resources and cutting CO2 emissions. Following this presentation, the future might see the concept being applied on a large scale, contextual to the digitalisation of the megalopolis, with a view to creating a network of technological, green and play points aimed at developing the local community’s quality of life. read more »
submission date: 10/17/2019
Dressed and undressed, curvaceous and angular, sleeping and watching. Over seven decades the Spanish artist Pablo Picasso depicts the female body as a colourful metamorphosis – full of longing and willpower, desire and eroticism. The exhibition Beloved by Picasso – The Power of the Model looks at the relations between one of the greatest painters in world history and his models, and reinterprets Picasso’s depictions of women. The famous artist’s portraits of women raise issues that are highly topical today as more and more people are discussing gender, privileges and identity in the context of equality and feminism. ARKEN’s Picasso exhibition focuses on the women in the portraits, their significance for Picasso’s wild changes of style and the comedy of his dramatic stagings.
Erotic thirst and burning desire
Pablo Picasso is famous for his talent for artistic innovation and notorious for his uncompromising life. Picasso’s artistic development and new stylistic departures parallel his love life – and it does not go quietly. In groundbreaking and expressive paintings Picasso interprets his family life, children, fame, artistic identity, love and crises. To one motif in particular he returns again and again: the naked female body, alone or in interaction with the artist. With a starting point in one of the most iconic motifs in the history of art – the painter and the model – Picasso depicts the desire to see and be seen. He shows our erotic thirst and eternal fascination with one another’s bodies as well as the lustful insistent looks that arise in the interaction between the parties.
More than muses
Beloved by Picasso – The Power of the Model challenges the balance of power between the artist and his models and takes a fresh look at Picasso’s pictures of those he loved. Picasso renders the women’s strengths, emotional life, pleasure and anger with great empathy, and stages his own role as artist with self-irony and humour. For the first time ARKEN’s exhibition tells the stories of Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot and Jacqueline Roque as more than Picasso’s muses and preferred subjects.
Masterpieces from Paris
ARKEN’s Picasso exhibition presents numerous masterpieces from the unique collection of the Musée national Picasso-Paris. The exhibition includes paintings, drawings, sculptures and prints as well as historical film clips, photos, poems and a photo album. A magnificent Picasso experience awaits the visitor in the autumn, when Beloved by Picasso – The Power of the Model takes over ARKEN’s galleries from 12 October.
New Picasso research
For the exhibition a richly illustrated catalogue will be published presenting new research on Picasso by Danish and international contributors. ARKEN’s Curator Naja Rasmussen’s peer-reviewed article explores the women’s partnerships with Picasso, his stylistic developments and the gaze applied to them and himself. Émilie Bouvard, former curator at Musée national Picasso-Paris where she was in charge of paintings (1938-72), research and contemporary art, and recently appointed director of collections at Foundation Giacometti, examines Jacqueline Roque’s significance for Picasso’s late art. Wendy Steiner, author and professor emerita at Pennsylvania University, addresses current viewer positions and the Picasso model as an idea. Writer, scholar and curator Harri Kalha analyses Picasso’s erotic and humorous (self-)staging and his eye for body and gender. read more »
submission date: 9/30/2019
submission date: 9/9/2019
Este video video esta dedicado al genial maestro de la pintura del siglo XX Bonifacio, va por él.
Este video a sido posible gracias a la amabalidad y gentileza de la ganaderia Aurelio Hernando, gracias a la Laura por su generosidad.
Melón Jimenez (Wiesbaden Novemeber 27,1986 )is a musician and composer. He has played guitar for Anoushka Shankar, Richard Bona, Enrique Morente, Niña Pastori between others. Melón has estudiad piano, sax and bass and specially brilliant on the guitar Moved to Madrid at the age of 2. Raised in a musical family, his father is a flamenco guitar from Jerez de la Frontera (Andalucía) and his mother is a classical piano player in her native Germany, introduce him in the music world very early and he showed skills for all kinds of music. When he was 10 years old was able to play sax, piano and guitar and start to write some tunes. Finally he decided to play flamenco guitar and start to play often in all kind of places when he turned 15. In the year 2010 played on Enrique Morente´s live recording: "El Barbero de Picasso". During 2011/13 performed with Anouskha Shankar around the world presenting her grammy award winner "Traveller" blend of Indian traditional music with flamenco.
Melón Jiménez es guitarrista flamenco. Afincado entre Madrid y Jerez de la Frontera comenzó a tocar la guitarra con tan solo 4 años, estimulado por su padre Miguel Jiménez, guitarrista flamenco y discípulo del maestro " Rafael del Aguila ". A partir de los 13 años toca profesionalmente con artistas como Armando Manzanero, Antonio Carmona, Pitingo, Niña Pastori y un largo etc. Sus trabajos más reconocidos los ha realizado junto a grandes artistas internacionales de la talla de Anoushka Shankar, Enrique Morente,Mulatu Astatke y Richard Bona entre otros. Las experiencias de alto voltaje junto a gigantes de la música se suceden una tras otra como un hecho habitual en su vida artística. Ha echo arreglos musicales con músicos como Javier Colina, Chuchito Valdes,Niña pastori, Enrique Morente, Richard Bona, Anoushka Shankar o Tino di Geraldo . read more »
submission date: 6/30/2019
It's myself art journey. Last 10 years to continue I am busy in myself search through the art and painting. For me painting is a language. It's need vision not any kind of texts ...
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submission date: 1/21/2019
"Surrealism is not the way you live, act or feel. It's the way you dream. We, who call ourselves 'surrealists', are marked by the Lord himself with a slightest touch of insanity. Creative insanity that is, granting the freedom to transform reality, to reach beyond visible, and to display the possibility of impossible. My personal goal, as a surrealist, is to represent the unreality with maximum reality, trying to make you believe in what you see. This is what Salvador Dali did the best." ... read more »
THE LARGEST GLOBAL ENTERTAINMENT EVENT IN HISTORY. More Than 30 Million Live Earth Videos Streamed on MSN by 8 Million People – The Largest Online Audience Ever for an Online Concert Approximately One Million People Participated in More Than 10,000 Friends of Live Earth Events in 131 Countries – the Largest Grassroots Organizing Program in History. LOS ANGELES (July 9, 2007) – Live Earth organizers today announced that the 7-continent, 24 hour music extravaganza on July 7th was the largest global ... read more »
"I am absolutely fascinated by cities. Because of this passion, I graduated in architecture in Rio de Janeiro. While at the university, I started my art studies at the Modern Art Museum of Rio de Janeiro and experienced different kinds of media and techniques, from oil painting to jewelry making, but after being fully introduced to watercolour it soon became another passion. I started off with small sized watercolours, then I moved on to work with large scale canvas and acrylic colours, trying to ... read more »
ALBÜM is a virtual and print magazine specializing in contemporary Latin American photography created by Galería MÜ. In order to identify new talents, we have opened four call for entries per year. Each one of our editions is focused on a region of Latin America: Southern Cone; Brazil and the Eastern Region; Andean Region; and Central and Mezo America and the Caribbean. The call for entries begins with each season according to a region. The selected artists receive 3 spreads (6 pages in total) ... read more »
Permanent exhibition containing more than 85 works of art, “ Wooden Objects 2000-2003” in the main workshop of the “Ausbesserungswerk” in Hamburg, Schlachthofstraße 3 (the exhibition can only be visited after prior application tel.: 0172 405 32 38) (...) Jan de Weryha-Wysoczanski's biography reflects somewhat of the diverse relationship between Germany and Poland. Born in Gdansk he was 31 years old when he migrated to Hamburg during the Solidarnosc movement and became a member of the BBK ... read more »
International video artist Chris Oakley has launched a website aiming to redefine the way video art is traded and consumed. The website offers the facility to preview Chris Oakley’s videos online, with the option to download high-resolution digital video files of the artist’s videos. Out of frustration with existing sales and distribution models, Chris Oakley built the website in part as a way of taking control of the distribution of his work and as a response to internet piracy of his videos. Previously, commercial galleries ... read more »
In 2008 I were very busy in communication and in search of art web site links because in that movement I were not connected to any online network and I did not knew much more knowledge about online use, so I were working with safe mode , I think that was must for me and I were lived with that mode . one day I were found a website link that was world wide art web site . I got that web page mail id and sent my blog post link with a short information about my art journey . after a one week I were received a reply by that web site owner ... read more »
Art, unlike science, is not measured by its progress. Its evolution reminds one of concentric circles on the surface of water that has been disturbed by a rock. Similarly, arts of cultures and civilizations stand independently, but at the same time they are unified by their common striving for order and harmony; a tendency that can be observed not only in art but in all organic life. Art is the physical manifestation of the sensual perceptions of the world as interpreted and organized by these various groups of peoples. This is why ... read more »