Pioneering the Vertical Era in Multimedia Communication
Verticalis TV, a multimedia project by Filippo Lo Presti from 2009, anticipated the now-daily format of phone screens and displays for all types of visual communication. Verticalis TV introduced a new way of communicating and a new direction in disseminating the useful and the beautiful.
Long before vertical screens became the standard for smartphones, digital billboards, and interactive media, Verticalis TV envisioned the future of visual communication. This groundbreaking multimedia project introduced a paradigm shift, setting the stage for the now-daily experience of vertical-format displays across all forms of content dissemination.
By challenging traditional horizontal frameworks, Verticalis TV explored the intuitive, ergonomic, and aesthetically powerful potential of vertical screen orientation. The project was not merely a technological experimentit was a revolution in how beauty and utility intertwine within modern visual storytelling. From digital art exhibitions to real-time news broadcasts, Verticalis TV harnessed vertical composition to enhance engagement and redefine accessibility.
Green (2009)
A vibrant ode to nature, showcasing lush visuals paired with harmonious melodies that evoke serenity and renewal. Lush, verdant landscapes and organic textures dominate, evoking a sense of serenity and renewal. The graphics often feature fluid animations of nature, creating a meditative visual flow. Harmonious melodies blend natural sounds with minimalist compositions, enhancing the theme of ecological harmony. The music mirrors the visuals’ tranquility, often building to crescendos that mimic the cyclical rhythms of nature.
Green by Ionone Music.
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TV
Verticalis TV multimedia installation
by Filippo Lo Presti and Franco Mazza
Installando X edizione. May 16 - July 18, 2009. Brescia, Italy
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TV
Between 2014 and 2015, Architectura Arte Contemporanea (AAC Gallery) in Brescia, Italy, emerged as a profound hub for exploring the symbiotic relationship between architecture and contemporary art. Under the stewardship of Franco Mazza and Filippo Lo Presti, these exhibitions transcended mere visual displays, transforming into dynamic spaces for interdisciplinary storytelling and critical reflection.
Franco Mazza and Filippo Lo Presti Architects demonstrated extraordinary curatorial sensitivity during this period. Incorporating themes of materiality, urbanism, and spatial awareness, their work blurred the distinctions between architecture, sound, and visual arts.
Each exhibition was thoughtfully orchestrated to engage the audience in a thematic journey, transforming the gallery's space into an active participant in storytelling.
The curators expertly leveraged AAC Gallery's architectural context, creating an intimate and dynamic interplay between the works and their environment.
Exhibitions
Pierluigi Mattiuzzi - Il suono di una mano sola - Der klang von einer hand allein (2015)
Guido Moretti -
Guido Moretti (2015)
Giuliana Geronazzo -
Vetro (2015)
Giacomo Filippini -
Ferro (2015)
Giacomo Filippini -
Zaven Nevaz LIVE (2014)
Amedeo Modigliani -
L'occhio dell'anima (2014)
Ugo Nespolo -
Invenzioni Italiane (2014)
Curatorial Signature: Lo Presti and Mazza’s Vision
The 2014–2015 collaborations shared a distinct curatorial fingerprint.
Material as Narrative:
Each exhibition centered on a specific medium (iron, glass, paint) to explore its symbolic and sensory potential.
Architectural Dialogue:
As architects, Lo Presti and Mazza treated the gallery as a participant—e.g., Mattiuzzi’s sidewalk intervention or Filippini’s spatial ironworks.
Philosophical Undercurrents:
Titles like "Il suono di una mano sola" and Riflessioni sull’arte revealed a preference for art that interrogates perception and existence.
Strengths:
The AAC-Ionone exhibitions were notable for their cohesion despite diverse artists, unified by Lo Presti and Mazza’s architectural rigor and thematic depth.
AAC Gallery - Ionone
Ionone's world
highlights the transformative power of digital platforms in fostering global artistic collaboration. By connecting artists across borders, it has created a space where creativity transcends geographical and cultural boundaries.
The concept of "global connectivity" resonates with the idea that art can serve as a universal language, bridging gaps and fostering shared human experiences. It’s fascinating how platforms like this have enabled artists to not only showcase their work but also engage in meaningful dialogues that shape cultural narratives.
Ionone World, active from 2000, stands as a remarkable example of how digital platforms can revolutionize artistic collaboration and connectivity. By leveraging technology, Ionone created a virtual space where artists from diverse backgrounds could share their works, engage with global audiences, and collaborate across borders. This initiative not only amplified individual creativity but also fostered a sense of community among artists worldwide.
In summary, Ionone World exemplifies the potential of digital platforms to shape the future of art and culture. Its legacy from 2000 serves as a testament to the power of technology in fostering creativity, collaboration, and global connectivity.
World
Among those with whom I shared creative moments
I remember Marcello Casco with deep affection—a man of great professional experience who entered and remained in my life as both friend and mentor. We met at an audition at Rome’s Teatro Alfellini and quickly became close friends and collaborators in a singular production: the story of our lives.
His extensive experience at RAI served as a model of dedication and study for me. I followed in his footsteps for nearly five years, day after day, fulfilling my childhood dream of stepping into television studios, discovering the secrets behind the magic box, and becoming part of its world. Marcello’s relentless exploration of radio, television, and theatrical language became fundamental to my own creative growth, now forever enriched by his emblematic spirit.
Though our story ended tragically with his passing, I hold more than memories of his noble soul. I also cherish a song, “Maria Is Gone,” with lyrics by Marcello and music I composed. It has yet to be heard publicly, but one day, a worthy voice will give it life. You will always live on in my memories and my work. Thank you, Marcello.
TV
People
on the same planet grasp the inconsistency of matter in abstractly different theoretical formulations. With the abstraction of the geometrized form, the ecstasy of the body is not achieved, but the definitive cancellation of the object. Nomination, gestualization, body language, manifestation, theater and music, as well as architecture itself, remain isolated in the mysterious and still unknown universal system. The editing of abstractions, motivated by external arguments, is affected by the incompleteness of the limit; theaters of the total, of the politician, of the mechanic, translated into educational theaters, stage the city of tomorrow too often theorized in ideal visions that stagger between the neoplatonic and the fantastic.
The Futurist surprise and the Hollywood musical dress the corporeal city with a degree of authenticity that only the point-like sets of flying machines can know, waiting to transpose the theatrical newspaper into the uncontrolled metropolitan abstract. Tomorrow's puppets alternate between the symbolist masks, proposing the estrangement of being, but not reaching the unexpected austerity of bodily transposition into more evolved degrees of the spirit.
Theater
Ionone's short videos
across platforms like Facebook, Vimeo, and YouTube offer a visually engaging experience, often blending abstract imagery with thought-provoking themes. The videos tend to have a minimalist yet artistic approach, using striking visuals and subtle storytelling to evoke emotions.
On YouTube, the short videos showcase a mix of experimental cinematography and symbolic narratives, creating a unique viewing experience. The Vimeo content follows a similar pattern, often featuring atmospheric sequences that complement the artistic vision.
Overall, Ionone's short videos are captivating for viewers who appreciate abstract and conceptual filmmaking. They offer a refreshing departure from conventional storytelling, making them worth exploring for those who enjoy visually driven narratives.
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