Marcello Casco

Among those with whom I shared creative moments
I remember Marcello Casco with deep affection, a man of great professional experience who entered and remained in my life as both friend and mentor. We met at an audition at Rome’s Teatro Alfellini and quickly became close friends and collaborators in a singular production: the story of our lives. His extensive experience at RAI served as a model of dedication and study for me. I followed in his footsteps for nearly five years, day after day, fulfilling my childhood dream of stepping into television studios, discovering the secrets behind the magic box, and becoming part of its world.
Marcello’s relentless exploration of radio, television, and theatrical language became fundamental to my own creative growth, now forever enriched by his emblematic spirit. Though our story ended tragically with his passing, I hold more than memories of his noble soul. I also cherish a song, “Maria Is Gone,” with lyrics by Marcello and music I composed. It has yet to be heard publicly, but one day, a worthy voice will give it life. You will always live on in my memories and my work. Thank you, Marcello.

Marcello Casco contributed to Italian television and music performances,
particularly in the variety and cabaret scene. One of his notable works was Così per caso, a 1979 variety show aired on Rai’s Rete 2, which he co-wrote alongside Don Lurio and Paolo Moroni. The show featured a mix of comedy, music, and theatrical performances, with guests like Elton John, Matia Bazar, and Oreste Lionello, blending international and Italian entertainment.
Casco also had a presence in radio, notably in Alto Gradimento, where he humorously critiqued mystical. His work often merged satire, music, and theatrical storytelling, reflecting his interdisciplinary approach to performance.
Additionally, he contributed to film soundtracks, including They Call Me Jeeg Robot (2015), where his lyrics were featured. His ability to integrate music, theater, and television aligns with my own explorations of interdisciplinary fusion and artistic resonance.

Marcello played a significant role in revitalizing Italian theater,
particularly in the late 1970s and 1980s. His contributions were deeply tied to cabaret and experimental performance, blending humor, critique, and theatrical innovation.
One of his most notable achievements was reviving historic Roman theaters, such as La Chanson and Al Fellini, transforming them into spaces for avant-garde performances. These venues became hubs for alternative theater, where Casco explored themes of mysticism, satire, and social commentary. His work in *radio and television, including Alto Gradimento and Stiffelius, also influenced theatrical storytelling, merging absurdist humor with cultural critique.