|
|
|
|
|
|
|
dvd : The Passion
|
· |
After all the controversy and rigorous debate has subsided,
Mel Gibson's The Passion of the Christ will remain a force to be reckoned with. In the final analysis, "Gibson's Folly" is an act of personal bravery and commitment on the part of its director, who self-financed this $25-30 million production to preserve his artistic goal of creating the Passion of Christ ("Passion" in this context meaning "suffering") as a quite literal, in-your-face interpretation of the final 12 hours in the life of Jesus, scripted almost directly from the gospels (and spoken in Aramaic and Latin with a relative minimum of subtitles) and presented as a relentless, 126-minute ordeal of torture and crucifixion. For Christians and non-Christians alike, this film does not "entertain," and it's not a film that one can "like" or "dislike" in any conventional sense. (It is also emphatically not a film for children or the weak of heart.) Rather, The Passion is a cinematic experience that serves an almost singular purpose: to show the scourging and death of Jesus Christ in such horrifically graphic detail (with Gibson's own hand pounding the nails in the cross) that even non-believers may feel a twinge of sorrow and culpability in witnessing the final moments of the Son of God, played by Jim Caviezel in a performance that's not so much acting as a willful act of submission, so intense that some will weep not only for Christ, but for Caviezel's unparalleled test of endurance.
...
dvd : The Passion of the Christ [ read more ]
| |
|
|
a testament to the talents of composer John Debney
|
· |
The Passion of the Christ, Mel Gibson's controversial telling
of the final hours of Jesus' life, is so graphically
brutal that many moviegoers may not take notice of the film's score at all.
But there surely is a score, and it's a testament to the talents of composer John Debney (Elf, Bruce Almighty) that his music skillfully underpins the film's
dramatic grip without becoming a distraction from the compelling story.
Debney rightly realized that for a story of such searing intensity, an equally forceful score would be
(pardon the term) overkill, yet his atmospheric and evocative music admirably stands on its own.
He makes use of only a few elements, recombining them in continual variation and to beautiful effect: Haunting
drones, exotic flutes and reeds, wordless vocal cries, beating drums, and soaring strings feature in track after track
of ethereal, entrancing music. Of course, there are moments of great power, too, particularly as the film draws near its tragic conclusion.
"The Crucifixion" begins with low strings and builds to a grand orchestral climax that flows into an ardent hymn-like theme. Likewise,
"Raising the Cross" combines deep, throbbing drums with a wordless chorus accented by distant vocal cries, while piercing calls from an otherworldly
horn punctuate "Jesus Is Carried Down." "Resurrection" presents an opportunity for musical word-painting, and appropriately,
an upward-climbing theme in the strings and voices joins with pulsating drums at this culminating point in the tale. It's a potent moment
on a soundtrack that drives home the enduring story of The Passion of the Christ with subtlety, eloquence, and beauty. EJ Johnson
[ read more ]
| |
|
Copyright © 2004 IOnOne. All Rights Reserved
|
|