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IOnOne art |  Stefan Beyst 
Yeats' Leda and the swan: an image's coming of age
 Stefan Beyst  Stefan Beyst
Yeats Leda and the swan
the technical beauty
the theme
la figura serpentina
Da Vinci's Leda
Michelangelo's Leda
leda's eggs

Yeats' completion of the image 
Yeats' completion of the image

the honey of generation  
the honey of generation

intermezzo : the dove
intermezzo : the dove

the metamorphoses of Leda
the metamorphoses of Leda

the hermaphrodite
the hermaphrodite

the symbol
the symbol

 Stefan Beyst  other texts by Stefan Beyst :

IOnOne art | photography
other texts by Stefan Beyst :
the photography of William Ropp

IOnOne art | photography
other texts by Stefan Beyst :
An analysis of Goldsworthy ..

intermezzo : the dove
·

Also in ‘the Mother of God’ a woman is impregnated by a bird, equally ‘wings beating about the room’. Although this time it is a dove, and although this time not a daughter is hatched, but a son. Destined to death by his very father…
What is this flesh I purchased with my pains,
This fallen star my milk sustains,
This love that makes my heart’s blood stop
Or strikes a sudden chill into my bones
And bids my hair stand up?
Herein Yeats joins a tradition that we swept under the carpet to allow ourselves a rapid transition from Antiquity to the Renaissance. But just as only as a metamorphosis of Mary Venus is reborn on Botticelli’s painting, just so the genuflection of da Vinci’s Leda before her eggs is a nearly concealed echo of Mary falling on her knees before her son Jesus. Who was brought to the world to redeem us of the sins of precisely the fratricidal twins that hatched from the swan’s eggs…
[ next ] the metamorphoses of Leda  Stefan Beyst


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